RED MONA

RED MONA, a mixed genre work, emerged from a Guy de Maupassant story, Petit Soldat. THE CARDS refer directly or obliquely to that piece, but always the mosaic-like story of Simone de Milo* seeks an INDEPENDENT IDENTITY. Collages, influenced by fashion, establish a sub-theme on the seductions of feminine accoutrements. A Sixteenth Century ILLUMINATED manuscript, Mira Calligraphiae Monumenta, provided an important INSPIRATION. And not to be underestimated is the coolness I often associate with formal education (FLASH Cards are one extant example.), which tends to unleash my more passionate YEARNINGS.


*The name I've given De Maupassant's unnamed female character.




To explore the illuminated manuscript idea, pay a visit to a French library,La Bibliothèque Nationale de France, and in Oxford, England, pop into The Bodleian Library. For an exploration of writing process, see the Artist-Writer Statement.

Copyright © 1995, 1996, 1997, 1998.